An array of 13 roundels, sequenced in a bend. Dimensions: 5 wide by 7 tall. Liber Genealogus counterpart: section 4.
Ada, seventh from Adam and wife of Lamech, is the key figure in this array. The Plutei and Amiatinus manuscripts indicate she was placed inline, although she is not a descendant. Amiatinus is probably accurate in not connecting her to her offspring. Sella, the other wife of Lamech, is simply placed inline and not distinguished in any way from Lamech's four children.
Certain commonalities are plain in these samples. Amiatinus, though amputated, derives from the same vorlage as Plutei, both having been made in Italy, probably at Monte Amiata. Both the San Juan and the Roda arrangements seem to be drawn from a common model. Foigny (which is the only one of the four Iota manuscripts to preserve connectors) places its turn at the same point as Amiatinus does.
It is assumed in the reconstruction below that the filum ought to bend at Lamech's eldest son, and that Ada's roundel should be placed in row nine, before the turn, as in the lower two examples above (and also in Fi, a Beta manuscript).
Although this section can be termed a filum, the connectors are always threaded through the roundels, and never docked alongside them in a bus pattern as happens with true filum.
Next: The Rulers of Edom
Back to Table of Contents
The Great Stemma: A Graphic History in the Fifth Century by Jean-Baptiste Piggin is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.